Fall Reading V: “Dreaming Aloud”

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Form4 Architecture’s Co-Founding Principal and Chief Artistic Officer, John Marx, initiated a highly original publication in the Architectural Review (AR) monograph series. “The Absurdity of Beauty – Rebalancing the Modernist narrative” is a hybrid monograph that features Form4 Architecture’s work as well as a wide range of topics that advocate a fundamental shift in the way architects design through a mix of poetry, essays, and watercolors.  This shift is to do with how we tackle contemporary challenges, like placemaking, gentrification and identity in society, through our built environment.  Marx’s own essay within the publication, “Dreaming Aloud”, touches on a theme that is at the heart of what instigated the idea of approaching the monograph in this multifaceted way.  This theme is the notion of “range”.

“Range” is understood by Marx as embracing inclusiveness in place of exclusiveness. It is about seeing architecture as a plentiful feast as conveyed in the cover image of this blog. “Range” rejects the notion of artistic endeavour only being of value within the confines of conventional and often hierarchical definitions.

The visual quality of the AR publication as realised by Art Editor Tom Carpenter celebrates “range” through the variety of imagery and the richness of the graphic sensibility throughout the monograph. It is all about giving a distinct platform to different voices that in their individualistic ways challenge us to create emotionally meaningful, culturally vibrant places to live and work. Places that we value and that we feel belong to us.

The following extract on “range” from “Dreaming Aloud” elaborates on what John Marx wants to convey when using this term.

“Dreaming Aloud” by John Marx – Extract: 

Range is a very balance-dependent concept. On the one hand, we as a humane species thrive (diversity-adaptability are the key traits which ensure our survival) because we don’t all want the same things at the same time; on the other hand, we also tend to form ourselves into groups with like-minded interests or traits. It is the creative dynamic between these two conditions where healthy and vibrant communities thrive. Existing on either extremes of this equation can have undesirable and unintended consequences. 

From an architectural object or project standpoint, range includes the way we judge the value of the work that is created. This aspect of range is well illustrated at the annual Burning Man festival, where some 70,000 people gather at a temporary city in the Black Rock Desert of Nevada to celebrate creatively. Among the many events at the 2017 Burning Man, more than 300 artworks were set out on the Playa. These ranged from ‘museum grade’ sculpture, to the Jedi Dog Temple designed by a five-year old boy. The participants recognise that everything on this range has a deep value to them, because, in the case of Burning Man, each art piece is given as a gift, and each was created from the heart. However they also embrace the idea that the nature of each piece is different and adds value each in its own special way. We, as architects, and as a culture in general, might benefit from embracing the concept of design value across a much broader spectrum than we currently permit.

Read more about theabsurdityofbeauty.com

WAF Recap 2017

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This was my fourth year coming to the World Architectural Festival.
There is something quite wonderful that starts to happen after the third year,
connections start to solidify into friendships,
your network begins to become a community,
you look forward to seeing people you have grown fond of,
from your fellow architects who you met competing for an award,
to curators from the Venice Biennale,
the critics, the judges,
the ABB rep whose enthusiasm and excitement is so infectious …..
and of course the AR and AJ crew that runs and curates the whole event.

The highlights were spectacular, selected from an overwhelming cacophony of options, far, far too many temptations, to experience everything:

Louisa Hutton talking so thoughtfully about placemaking and the vitality of an Urban Fabric.

Charles Jencks and Pierre de Meuron switching it up,
with Charles recalling that Corbu declared the Paris Opera …. “the symbol of death”, of the excesses of empty ornament, the end of an era
and Pierre de Meuron waxing poetic about how we all gather around the campfire, as an ancient human ritual ….
this leading so nicely to Kim Cook’s talk the next evening,
about one the world’s grandest fire rituals … Burning Man.

For me personally, it was a pleasure of pure exhaustion, judging, speaking, presenting two projects, but the most invigorating were all sorts of deep and provocative conversations with my peers…..
which I will cherish until next year,
in Amsterdam.

–John Marx, Chief Artistic Officer at Form4 Architecture
#WAF2017 @worldarchfest @burningman

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Why Architects should pay attention to Burning Man…

BM17 IMG_3077 cropped.jpgAs architects we (and I am hoping this includes most of us here) strive to create buildings and cities that have a high degree of vibrancy, authenticity, and a strong sense of community. We desire an engaged population that not only loves their environment, but also participates in its creation, and in its ongoing evolution. The extension of which means they feel responsible for its maintenance and improvement and are inspired and empowered to infuse it with their cultural and artistic energy. They create traditions and rituals which carry this collective effort forward to successive generations. Ideally, this vibrancy extends across the full range of socio-economic strata, so that everyone participates and enjoys these benefits.

If they are successful, they will extend this caring sense of community beyond the physical environment, towards caring for each other’s well being, because they sense how each of us contributes to the success of our communities.

As architects, we contribute the physical structures that contain the workings of humanity, but more importantly, we contribute our own creativity and imagination to imbue emotional meaning, which in turn adds to the energy and excitement of the community.

This is our goal set, a lofty and noble dream.
When we broadly look at what gets built by architects, we can sometimes fall short of these objectives.

Burning Man, on the other hand, succeeds.
For one week, a city of 70,000 people organically forms in the desert.
For one week, 70,000 people create a community that creates vibrancy, authenticity, participation, and a deep caring, all of the things we strive for …. at a level of intensity that is frankly “off the charts”.

There are many misconceptions about Burning Man, as to why people go and what they do there. From my personal experience, Burning Man serves to teach us about “Community and Kindness, thru Participatory Art”. On one extreme, some people come to party, to play, to be self-indulgent.  Even these people come away changed from the experience of a strong caring community based on kindness. They come away inspired by the vast range of self-expression, be it Playa Art, Art Cars, Theme Camps, Dance Camps or people’s creative outfits.

Burning Man is not a laboratory to simply “understand placemaking”, it is not an “architecturally” rich environment in the normative formal sense we use in our profession, but in spite of this, and in some ways because of this, a city of 70,000 people build their own vibrancy, in the most deeply authentic way possible, with the work of their own hands ……. if we ignore this, if we don’t take an opportunity to study what makes this work and thrive, we may find ourselves to be irrelevant to the people we pledged to serve.

–John Marx, Chief Artistic Officer at Form4 Architecture

 

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