European Dialogues

01 WAFRecollections from World Architecture Festival (WAF) in Amsterdam (4-6 December 2019) and Freiburg’s “Creative Communities” workshop (28 – 29 November 2019)

Another WAF behind us and we’re happily thinking back on increasingly familiar faces amongst regulars and the deepened friendships that we have been fortunate to make through the Festival.

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World Architecture Festival in Amsterdam

This year, John Marx presented his Burning Man project for The Golden Cage (see our previous blog post) and joined an illustrious panel of judges to select the winner for the best “Use of Colour” Category at the World Architecture Festival Awards.

Fellow judges included Axel Demberger from Eastman and Marcos Rosello of aLL Design.  The jury was chaired by Sir Peter Cook, a Royal Academician and Founder of the celebrated studio Archigram. As the winning scheme, the group of four judges picked Archimatika’s project, “Comfort Town.” It is a vibrant 180 low-rise apartment building development located in Kiev, Ukraine. Archimatika say the project represents the “first daring color solution for a residential neighborhood in the country.”

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World Architecture Festival in Amsterdam

The WAF “World Building of The Year” was selected from the 20 winning completed building category entries and is local to the Festival’s host country: The Netherlands.  A public library in Tilburg, the project is the result of a successful collaboration between Civic Architects, Braaksma & Roos Architectenbureau as well as Inside Outside/ Petra Blaisse.

Called LocHal, the library, a former locomotive hangar dating from 1932, responds to the current interest in an architecture that minimises its environmental impact through the imaginative reuse of existing building stock.  The WAF Awards super jury suggested this in their statement. “This project transformed a significant building which had been planned for demolition. The result has created a physical facility in which a variety of users can meet for a variety of purposes, in this sense the building has become a social condenser.”

The call for architecture to be conducive to social interaction is something that is being increasingly acknowledged and perhaps in the face of the widespread problem of loneliness that is apparent even in the most densely populated urban metropolises.  It is something that we at Form4 Architecture strive to address in our projects through placemaking that has a grassroots approach.

Our Creative Communities Workshop in Freiburg took place just before WAF. It was hosted by Ideal Spaces an ongoing research project that is focussed on how we experience and foster togetherness through architecture and art as well as through our communities.

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Creative Communities Workshop in Freiburg

Interestingly, Ideal Spaces is interested in both  the design of physical spaces conducive to well-being and the idea of a good place. The catalysts and conditions that lead to designing a better environment are at the heart of much of the work Ideal Spaces carry out through exhibitions, artworks, research events and supporting both interdisciplinary and collaborative methods to challenging dystopia. We look forward to building on this further and to our next WAF in Lisbon in 2020.

Fuelled by WAF and Transitioning from 2018 to 2019

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John Marx talking through Form4 Architecture’s Innovation Curve building located in Palo Alto, California with Sir Peter Cook in the jury

Form4 Architecture recently took part in their 5th World Architecture Festival. This time around it was staged in Amsterdam at the RAI conference centre with the largest number of delegates in attendance that the Festival has welcomed since its inception in 2008.

There were over 400 architects from around the world presenting their work in the 42 different categories for the World Architecture Festival Awards. This alone creates a mesmerizing overview of what is taking place in the profession be it in the Americas, Europe, Asia, the Middle East, Australia or Africa. Keynote speakers included David Adjaye, Jeanne Gang, Rem Koolhaas and Li Xiaodong whose presentation of his Liyuan Library on the outskirts of Beijing was one of the highlights of the talks.

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John Marx at the World Architecture Festival Chairing the jury for the “Large Scale Housing” category

Form4’s Co-Founding Principal and Chief Artistic Officer John Marx chaired the jury for the “Large Scale Housing” category won by an extraordinary project in Mathura, India designed by Sanjay Puri Architects. The project is made up of an 800-room complex devoted to young academics. The design skillfully incorporates the idea of a street following the same urban patterns seen in this part of the country.

John Marx also presented Form4’s projects in three different categories including the practice’s recently completed Innovation Curve in Palo Alto in the highly competitive “Use of Colour” category. The jury for this category was chaired by Sir Peter Cook, an English architect who is best known for having been one of the founders of the legendary and avant-grade Archigram studio in the 1960s and for his own imaginative approach to colour in architecture.

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At the World Architecture Festival Gala Dinner in Amsterdam
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This year the World Architecture Festival had stylish interactive screens summarising day’s content at each of their presentation pods

As per usual, in between presentations, talks and the actual awards ceremony at the Beurs van Berlage, there was real buzz of colleagues from across the globe catching up, introducing each other to new friends and acquaintances. All the things that happen in between the official Festival program being what at least half of what WAF is really all about. A place to swap notes on the state of architecture today, be it in San Francisco, London, Valetta, Milan, Dubai, Beijing or Singapore. And of course we saw first-hand what was happening in Amsterdam and were thoroughly impressed by their public infrastructure including the recently opened metro line that transported us effortlessly to the conference centre.

Another highlight at the Festival for us was The Architecture Drawing Prize stand displaying winners of hand-drawn, hybrid and digital categories. We ended our time at WAF sitting as guests at the Architecture Drawing Prize winners’ table and enjoying once again the Festival’s Gala Dinner atmosphere. A great finale to this event and particularly as 2019 will see Form4 focus on ideas around representation and architecture just as we did in the watercolour section of the Architectural Review (AR) monograph published earlier this year; and which was also featured on the AR stand at WAF in Amsterdam.  We were delighted!

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Third in row, “The Absurdity of Beauty” Form4 Architecture’s very own Architectural Review monograph featured at the Festival’s AR stand